… not reason is a bigot, he who cannot is a fool." -Sir William Drumman Every man was given the natural ability to reason through situations and come to a conclusion by weighing the consequences. Every man, however, capable of this does not actively…

… The remover of an oppressive power may ironically share the same characteristics of the oppressor. In Shakespeare's Julius Caesar, the similarities between Brutus and Caesar, the liberator and oppressor, are seen in many characteristics.…

… is a well known play, which was written by William Shakespeare in 1594. Different actors have performed this play through-out the years and it has been adapted in many different ways. When comparing the narrative elements of the most recent Romeo and…

… a person who has descended into madness resulting in effects of harmful physical behaviour to both himself and others around him. Conversely, Ophelia's 'genuine insanity' denotes her to be one who has been the victim of several events to the extent that…

… paranoid schizophrenic man's sacrificial amputation on behalf of God and peace. This well-crafted, character-driven novel maintains that edgy discomfort throughout. This isn't escapist fiction; it's better, drawing you into a convoluted web of twins,…

… Mary Shelley and Obasan by Joy Kogawa, are both written by female authors. The novels use multiple tenses and similar narrative structure. Both stories deal with moral questioning and help us determine right from wrong. In both cases the outcast is…

… many important themes in her famous novel Frankenstein. She presents these themes through the characters and their actions. Three of the most important themes in the novel are birth and creation should be left to God, alienation leads to distress,…

… defined as being fragile, foible, and having a moral weakness (Oxford Dictionary). At one point during the play Hamlet, Hamlet states, "Frailty, thy name is women" (i.ii.146), generalizing that all women are frail. During the period Hamlet was written,…

… when he was still relatively young and able to remember what young love (and infatuation) was all about. There is not a doubt in the world that the wondrous play can be read in more ways than one, both being quiet understanding and reasonable…

… as a very complex, hypocritical and contradictory character. To many critics, he is conveyed as a Machiavellian Prince, using others for his own political ends, and to some critics, a God-like figure, testing the pathology of power in Vienna. Despite…