One of the early images in Robert Bresson's ``Pickpocket'' (1959) shows the unfocused eyes of a man obsessed by excitement and fear. The man's name is Michel. He lives in Paris in a small room under the eaves, a garret almost filled by his cot and his books. He is about to commit a crime. He wants to steal another man's wallet, and he wants his face to appear blank, casual. Perhaps it would, to a …showed first 75 words of 1280 total…

…showed last 75 words of 1280 total…from their victims. Bresson films with a certain gravity, a directness. He wants his actors to emote as little as possible. He likes to film them straight on, so that we are looking at them as they look at his camera. Oblique shots and over-the-shoulder shots would place characters in the middle of the action; head-on shots say, ``Here is a man and here is his situation; what are we to think of him?''