The conflict in "Mending Wall" develops as the speaker reveals more and more of himself while portraying a native Yankee and responding to the regional spirit he embodies. The opposition between observer and observed--and the tension produced by the observer's awareness of the difference--is crucial to the poem. Ultimately, the very knowledge of this opposition becomes itself a kind of barrier behind which the persona, for all his dislike of walls, finds himself confined. But …showed first 75 words of 2523 total…

…showed last 75 words of 2523 total…reliability of his point of view. On the surface of it, at least, the Yankee's brief adage bespeaks more amiability than do the speaker's speculations and suspicious conjectures. Yet Frost offers no answers in "Mending Wall," no clues about who is right or wrong. He does not moralize: he demonstrates. And what he demonstrates is a conflict that commands our attention because in its origin and development it exhibits the power of imagination in flight.