INTRODUCTION Editing is what I believe to be the secondary control over the audiences' reactions. From the very first opening shot to the very end one, there has been some strict decision making whether or not each consecutive shot works in conjunction with the next. Cutting helps develop raw footage by delicately structuring elements while keeping balance and emphasis. Crittenden describes 15 positive reasons to cut. These decisions, carefully selected by the editor should be followed …showed first 75 words of 978 total…

…showed last 75 words of 978 total…use of Wide-shots, Medium-shots and Close-ups we can identify, understand and observe the characters' thoughts and ideologies. From a character dominating screen space to eloquent silences, pauses and camera movement affecting our feelings and moods towards the characters. Of the five examples of positive reasons to cut, the scene structure is balanced and nicely emphasising elements on the screen. We are slowly becoming more subconsciously aware of shots that don't quite work when cut together.